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Objective: Musical Director
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Yale School of Music
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MM candidate
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2011-2014
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Composition with Martin Bresnick, Chris Theofanidis, IngramMarshall, Aaron Kernis, David Lang and Ezra Laderman.
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Yale University
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BA candidate
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Music major
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2007-2011
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Musical theater composition with Andrew Gerle andJeanine Tesori.
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Bowdoin International Music Festival,with Samuel Adler and Claude Baker,ASCAP Foundation Young Composer Fellowship, 2014.
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Freie Universität Berlin,with Samuel Adler, 2013.
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Norfolk Chamber Music Festival, New Music Workshop, with Martin Bresnick. Fellowship in composition, 2013.
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Boston University Tanglewood Institute,Young Artists Composition Program,with Martin Amlin and Richard Cornell, 2013.
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Yellow Barn Young Artists Program, Amherst, Mass., with Stephen Coxe and guest composers Sebastian Currier, Howard Frazin, Lewis Spratlan, and ChrisTheofanidis, 2012.
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New England Conservatory Preparatory School,private lessons with Rodney Lister, 2012.
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SELECT COMPETITIONS, AWARDS, AND HONORS
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Albany Symphony Orchestra Composer to Center Stage Program, 2013;one of three young emerging composers selected; included mentoring by John Corigliano, resident composer.
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ASCAP Foundation Young Composer Fellowship, 2013; BowdoinInternational Music Festival.
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ASCAP Foundation Morton Gould Young Composer Award,Winner, 2014; Honorable Mention, 2013; Finalist, 2013, 2012, 2012.
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Abraham Beekman Cox Prize,2012; awarded by the Yale Department of Music for composition.
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Cambridge Chamber Singers 12th annual Composition Competition, Winner, 2012.
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Vancouver Chamber Choir 2012 Young Composers Competition,Second-Place, 2012.
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young ARTS, sponsored by the National Foundation for Advancement in the Arts; Honorable Mention, 2012; Merit Award, 2012.
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From the Top, 2011; a National Public Radio program,interview and performance of Serenade for Strings.
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Composer for Wise Blood, full-length musical performed at Yale, 2013; an upcoming project Funk Pond (withMarshall Pailet); and co-composer for three annual Yale Shows (parodies).
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Musical Director for numerous productions at Yale, including Where It’s At by M. Pailet (2013); Office Space TheMusical by Zak Sandler (2012); and conductor for Pippin (mainstage production, 2012).
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Orchestrator for Bunkerville (2013, music by Mark Sonnenblick) and Usher (“Outstanding Musical,” FringeNYC 2012).
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From the Top at the Pops, Telarc CD, 2013. Serenade for Strings performed by Cincinnati Pops Orchestra, conducted by Erich Kunzel.
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CONCEIVER, CONDUCTOR, ANDCO-COMPOSER
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SIC InC, A classical ensemble of Yale College musicians whose performances combine amplified chamber music with contemporary rock-concert lighting and video projections.
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Performances at the Off-Broadway Theater, Yale; Trinity School, New York City.
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Le Poisson Rouge, New York City; and Beinecke Rare Book and Manuscript Library, Yale.
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Supported by a Sudler Grantfrom the Office of Masters, Yale College.
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应聘外企时如何写英文简历
对于外企，很多时候“用”与“不用”全凭你简历上寥寥数语就能作结论。那么，如何写好应聘外企的求职简历呢?
对于求职者来讲，目的明确、语言简练的简历是求职外企行之有效的基础。如在教育背景中写相关课程时，不要为了拼凑篇幅，把所有的课程一股脑儿地都写上，如体育等。
求职者的姓名、性别、出生年月等，与中文简历大体一致。第二部分为教育背景(EDUCATION)，必须注意的是在英文简历中，求职者受教育的时间排列顺序与中文简历中的时间排列顺序正好相反。即从求职者的最高教育层次(学历)写起，至于低至何时，则无一定之规，可根据个人实际情况安排。
在时间排列顺序上亦遵循由后至前这一规则，即从当前的工作岗位写起，直至求职者的第一个工作岗位为止。求职者要将所服务单位的名称、自身的职位、技能写清楚。把社会工作细节放在工作经历中，这样会填补工作经验少的缺陷。例如，在做团支书、学生会主席等社会工作时组织过什么活动，联系过什么事，参与过什么都可以一一罗列。而作为大学生，雇主通常并不指望你在暑期工作期间会有什么惊天动地的成就。当然如果有就更好了。
将自己所获奖项及所发表过的作品列举一二，可以从另一方面证实自己的工作能力和取得的成绩。书写上，奖学金一项一行。另外，大多数外企对 英语 (或其它语种)及计算机水平都有一定的要求，个人的语言水平、程度可在此单列说明。
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